Ketchup

Catch up continues. Mostly domestic stuff, but there has been some craft. Let me see…

I finished weaving a chenille scarf. What chenille scarf? Well, I ikat dyed two skeins of chenille at the Kay Plus Fun workshop a year and a half ago, but then couldn’t decide whether it should be warp or weft. Eventually I bought two more undyed skeins. Some weeks ago (Pre-Lucy’s House?) I warped up the Knitters Loom with an undyed skein and started weaving with a dyed one. I was hoping a weft ikat pattern would form, but all I got was a random speckled pattern – and not an attractive one. So I unwove the dyed yarn and wove with the second skein of undyed yarn, figuring I’d dye the finished scarf later. So not a finished project, as such, so no photo yet.

Of course, that leaves me with two ikat dyed skeins to figure out what to do with. But for now, there’s more important things to weave.

Because I agreed to run a rigid heddle workshop at the Guild’s summer school. And being a glutton for punishment, I decided not to pick one weave structure but TEACH THEM ALL! Well, not all of them. I’m putting together a range of samplers and instruction sheets, so students can pick something they haven’t tried before. Most use the same basic warp, and there’ll be a double weave and vari dent version (if I get the samplers and instructions sheets done in time).

Last Saturday was a double destash market day. First up was the Open Drawer, where I bought a ton of mostly 8ply yarn and a sewing box footstool. Next was a CWA destash market where I helped a friend man (woman) her fundraising stall, selling off mostly craft stuff from Lucy’s house for whatever donation people wanted to make. We made a surprising amount to send to the Women’s Property Initiative – crafters are generous! I added to my ton of 8ply yarn there and bought a beautiful kimono.

The third 4 shaft weaving class was held on Sunday. I was tired from the market, but I’m enjoying this course and being around other crafty people so much it wasn’t long before I pepped up. And Project 2 is about colour theory and rosepath – both which I am familiar with. Lots of homework, which I’m amazed to find I’m really pleased about.

Craft is usually pretty slow this time of year thanks to having an acre’s worth of garden to weed and prune and feed and plant and water and harvest and rip out for the compost, but at least I don’t have any large projects lined up. I’d like to get some sewing done. I have both refashioning and sew from scratch summer clothing projects I’d like to do. And to weave something other than course and workshop samplers. Maybe something to sell at the Guild.

And then, of course, there’s preparing for and running a vintage/craft stall my friend and I are holding at our local market at the end of this month.

Right now, though, I’ll be content to just catch up and keep up with the things I’ve already got on my plate.

Catching Up

Things are slowly settling down here. Lucy’s house is nearly empty – the last contents just have to be put out on the nature strip for the hard rubbish collection. I’ve finished the proof of my book and sent it off to the publisher. Project One of the weaving course is done and I’ve warped the Katie ready for Project Two. And a dozen other things have been done, organised or planned for.

I’ve been feeling bone-achingly tired for weeks now. I figured all that work at Lucy’s place was to blame, but I never quite recovered. Then last weekend was very busy and on Monday I was so tired I felt like I was coming down with the flu. I wasn’t, but at the moment no matter how much I sleep and rest I can’t seem to shake the fatigue. I’m a bit worried I’ve triggered another bout of chronic fatigue.

There shouldn’t be much more work to do on the book, so I’m proscribing lots of rest through October. That means no party for my 50th birthday. My heart’s just not in it. I’ve been saying the best birthday present might be to not have to organise or be a peppy hostess at a party.

Of course, I’m not very good at resting. For a start, if I sit around a lot my back gets worse. And Spring has arrived with it’s constant unending weeding. I’ll be involving myself in my parent’s lives much more now, and I have the weaving course and homework to do. And I’ve agreed to run a rigid heddle weaving class at the Guild’s summer school.

Yeah. My first weaving teaching gig. Yikes.

Between now and then I want to weave up five demonstration samplers, and make some instruction sheets to go with them. I’m also going to provide some tools. My idea is to give a small number of students five different choices of sampler to do, so that the intermediate students get to try something within their ability, and the advanced ones have something challenging to try. It would be easier to teach one kind of weaving, but that might restrict the students to only those that haven’t tried that particular kind yet.

Or I might be making too much work for myself, teaching five different techniques at the same time. I’ll just have to wing it and see!

And Also…

I bought a new iPhone 7 so I could give my Dad my old one. To my surprise, Bloglovin’ doesn’t have a version that works with iPhone 7. So I’ve downloaded Feedly. Unfortunately it wants me to upgrade to a pricey paid version in order to follow any blogs I search for, rather than find them via the hashtag search, so there are some blogs I couldn’t put into my feed. Any recs?

Distractions

For the weeks leading up to the start of the weaving course I was in a bit of project limbo. The Katie loom was out of bounds, as I needed it for class. I didn’t want to put anything on the floor loom, as there might be a task set in the class to do at home that I’d more easily weave on it. The knitters loom was free now, but I’d been intending to use it to teach a friend weaving so I didn’t want to put something on that yet.

I did a lot of planning of projects on my To-Do List, but you can only do that for so long. I bought some leather conditioner and, with Paul’s help, treated the leather sofas. I baked. I did some mending. I planned out some knitting machine projects. And finally, I knit a scarf out of some colourful i-cord I bought at a destash sale.

And then forgot to take a photo.

Three weeks ago my Dad’s neighbour died, at 87. Last year she decided he should adopt her cat when she died. He agreed so long as it was written in her will – no chance of fights with her relatives over who got the cat. Off they went to a solicitor and it was revealed that her last will had everything going to a cult she had been involved in previously but wasn’t any more, and didn’t want her estate going to now. When it came to choosing a new executor she didn’t know who to choose, so Dad volunteered.

Oh boy, is he regretting that now. So much work. So much stress. When it first happened he was so wound up that I was truly afraid he’d have a heart attack. And the woman’s house… tiny but filled with so much stuff, all mixed in together. Like a fractal, really. Every room, every cupboard, every drawer, every shelf, every box, every bag, every basket filled with the same combination of objects: cards, letters, cat calendars, Christmas decorations, ornaments, jewellery, stationary, craft supplies, crocheted and knitted soft toys, snacks, religious item, table linens like doilies and such, scarves, candles, soaps, money and documents. The only kinds of objects that weren’t mixed together and spread through most parts of the house were her clothes (her wardrobe was surprisingly well-ordered) and cooking utensils (she didn’t cook).

It was like someone had got her old house, picked it up and shaken it vigorously, and tipped it into this one.

She had no children, her niece is sick and her nephew said “just chuck it all in a skip”. That’s the point where Paul and I got sucked into the vortex that is clearing someone’s house. And it’s a good thing we did. Among the mess we’ve found some amazing old things.

Most of the work has been sorting things into categories. I spent half a day with a friend culling and sorting craft supplies, only to find several baskets and boxes of it later. I spend another half of a day sorting Christmas decorations, only to find several baskets and boxes of it later. She had eleven Christmas trees. ELEVEN. I think she’d saved every greeting card and letter and calendar of her entire 87 years – all mixed in with everything else – as it filled two large recycling bins. I never want to see another greeting card, and my dislike of Christmas has deepened into a full-bodied loathing. I’m beginning to shudder when I see yet another cute picture of a cat or a dog, cut from a magazine or calendar or pet food packaging.

And yet… everything about her belongings spoke of a woman who loved life. And people. And animals. She had a zany and colourful fashion sense and was creative and artistic. She was spiritual but not set in her beliefs, as she had items relating to just about every religion that exists and even a book on alien abduction. She lived in the moment. She didn’t own much of worth but she enjoyed what she had. People near and far loved her. There wasn’t a snobby bone in her frail old body. I’d like to have met her more than just the once.

But I am very thankful that Dad has agreed that he won’t become anyone’s executor again!

Learning, Teaching and Fixing

A few weekends ago I started the four shaft weaving certificate course I signed up for. The first class was both fun and interesting. Though I know most of what was covered I also learned several new things – and got an answer for something that has puzzled me for some time.

Once at home I finished warping my loom and got weaving, finishing most of the exercises and leaving a few for the next class, as requested. I also typed up my notes and sourced articles and books that covered the topic (twills). I’m not entirely sure how to approach these notes. Do I just type up what I copied down from the board in class? Do I add more to that, based on the articles and books I found? Do I comment on what happened when I wove the sample? It’s been decades since I did anything resembling notes for a course, and even then the classes and subjects I studied required very little in the way of written work.

The student next to me was pretty new at weaving, having only done the Introduction to Weaving course prior to this one. I offered to tutor her if she needed it, and she came over yesterday for guidance on warping up her loom. She also brought an old Dyer and Phillips loom she had been given. Paul replaced some missing and rotten pieces of wood and I re-stringed the shaft-to-lever mechanism. It should have been useable at that point, but I found the shafts kept getting caught on each other. A closer look revealed that the shafts weren’t the original ones. They were aluminium rather than steel, and while the design was clever they were 1 1/2 times the thickness with protruding bolts – the source of the problem. So Paul and I brainstormed the problem and he decided to get larger screws, cut a thread into the holes and countersink the screw heads so nothing would protrude.

In the meantime I cleaned and oiled the loom. It had a warp on it that had been separated with newspaper – nowhere near thick enough for the job. We had to remove the shafts to fix them, which meant removing the warp. When I smoothed out the newspaper much amusement was gained. And I didn’t feel bad about cutting up and tossing a dusty, nearly 40-year old warp into the compost!

The Lotas Position

One of the looms Kay had recommended to me was an eight shaft Lotus loom. I was going to try the one in her studio and see if it suited me. They don’t come up for sale very often, however, so when one did a Facebook group I was pretty excited.

Only trouble was, it was in Western Australia.

I almost let it pass by, but I’ve heard about people having looms shipped interstate before and wondered how hard it could be. Looking into it, I quickly worked out that furniture moving companies were the ones to call. They can ship single pieces of furniture whenever there’s some room left over in a truck. I got a few quotes, proposed the idea to the seller, and she kindly agreed to prep the room for transport. I made the arrangements and then had to sit back and wait.

About a week later it was delivered in a very large cardboard box. We unpacked and partly dismantled it so it would fit through the doorways here, all without remembering to take photos. I gave the whole loom a rub down with Danish oil, then reassembled it in the former guest room, now known as the Loom Room.

Now, assuming I have no issues weaving on the Lotas, I have to decide whether I will keep the LeClerc jack loom or sell it.

All I need to do now is buy or make a loom bench. Sitting on a carpentry horse works, but isn’t exactly comfortable.

Sakiori Runner II

After finishing the sakori runner, I had more kimono rag strips left over than I anticipated. So I considered how I could use them up. Placemats? I did the math and found I’d only be able to make four. Another runner? It wouldn’t be as long, and I didn’t have any more of the light blue warp in the centre of the last one. But I knew it would weave up fast, and if my friend didn’t want a third runner, then I could sell it in the Guild shop.

So I wound the warp, dressed the loom and got weaving. I had it woven in two days.

And my friend said “yes, please!” to another runner.

Five Years

That’s how long we have lived in this house. I still love it, though the garden is waaaay more work than I need. I’d be very sad if I had to move out – and Paul would certainly have a lot of trouble downsizing.

I wouldn’t have thought much would change in five years, other than the renovations we’d planned. We’ve both discovered new interests since we moved here. My back has deteriorated and the frozen shoulder I had for the first half of the year (nearly healed) made me realise I need to store my yarn somewhere lower than the top shelves of a wardrobe. And the way we use the house has changed.

When we first inspected it house, the idea of me using the entertainment room as my studio was considered, but it was such a great space for gatherings ite became known as the Party House. Over the last couple of years, however, our main circle of friends has fragmented due to various reasons and I started to find all the partying exhausting. We’ve used the entertainment room less and less and I began considering the studio idea again. The problem is where to put the sofas. And bar. And guests, the rare times we have them.

Last Sunday the solution hit me: I’ve been looking at the wrong room! The guest room also isn’t used much any more. One of the smaller bedrooms, it has a sofa bed for people staying over and a tv with dvd player for the children of visitors. It also stores bed linen and party costumes, and my Passap knitting machine. And the clothes airer.

So I did a mental reshuffle. Where could the sofa bed and chest of drawers go? The entertainment room would work just as well for overnight visitors. Linen? Cull and move to the entertainment room too, and make space for it by culling party supplies we no longer use. Costumes? Cull and move what we keep into our wardrobe. That leaves some shelving that came from my workroom at the last house. The tubs I keep my yarn in were bought to fit it, so that solves the yarn storage accessibility problem.

I ran the idea past Paul. He saw no problems with it. So we got stuck in, culling and moving things. And then, as if making space finally made it happen: I bought a floor loom.

But that’s another story.

Spot Bronson

Well, I was able to cut most of the blue stains off the ends of the napkins before hemming. I have four mostly matching napkins:

One is a bit shorter than the rest. I think I was beating harder at the beginning. When weaving the fifth napkin I accidentally did an extra repeat of the pattern, so that has become a table mat.

The last piece is the first napkin, full of mistakes, which has become a sampler.

Just two weeks to go before I start the four shaft weaving course. I’m looking forward to it!