This was yet another leftovers-using project, this time to use up the orange yarn I dyed for the overshot sampler I did last year. These batches picked up black dye from the pot I had used previously in a failed attempt to dye some stained polyester pants. I couldn’t scrub the residue off the pot, yet it came off on the yarn as a greyish shadow. The pot went into the rubbish afterwards, which was a shame, as it was a good sized dying pot.
Since the shadowing wasn’t uniform, I mixed the orange threads among twice as many in the ‘dusky rose’ colour of in the same yarn. I’ve been liking the dividing stripe effect of the last few scarves I’ve woven, so I added some in ‘raffia’ too. Then I chose ‘almond’, a slightly off-white, for the weft.
It was MUCH easier to warp the loom this time as I wasn’t working with already cut ends and therefore no cross. I could use my warping board to wind and tie everything neatly, with one exception: because I wanted to mix the orange with the pink I wound three threads together – one orange and two pink – and that meant the cross wasn’t of alternate single threads but sets of three. This allowed me to move the orange thread of each trio around when threading so the mix was more random than simply orange-pink-pink and I didn’t get two orange threads next to each other.
Like with the Scarf of Leftover Colours, having eight pedals meant I could arrange the tie up so I could simply move from left to right. Then I got weaving.
Oh my. I may have fallen in love with plaited twill. It’s so pretty!
These are not my usual wearing colours. Either I’m going to have to revise that opinion, find someone dear to me who does wear them, or weave another plaited twill scarf. I’m thinking the latter.
I have other plans for the floor loom’s next project, so that’ll have to wait. On the Katie, I put another leftovers warp on, using up some burgundy warp. I found a draft I liked by entering “weaving drafts” in google images. I started with a blue weft, but didn’t like it, so I tried cream and it’s much better.
However, it wasn’t looking like it was supposed to. I realised I was making several mistakes: I should be working from the bottom to the top, the black squares for the tie up should be for shafts in the down position and not up, and I had missed four picks of the sequence in each repeat.
But I liked what I’d done, so I just made a new draft that looked like the result I had and called it ‘falling feathers’.
The other mistake I made was that, when I measured the warp, I cut sixteen threads for each stripe, when the pattern repeat actually uses 14. So now I have another small pile of leftover warp to use up.