Test Book – Wheat Paste & Book Cloth

This little book has been almost finished for a while now, and I finally completed it yesterday.

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It was a project for me to repeat most of the method taught to us in class, with a few variations. The main change was to use wheat paste instead of PVA glue. I also wanted to see how much harder it would be to wrap the book cloth around the covers rather than stick the covers on top of it. And I also wanted to test my homemade book cloth.

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The wheat paste worked just fine, except in two instances. I needed to make and attach the headband with PVA. Wheat paste was not going to be strong enough or dry fast enough. The second problem was this:

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Like in the method we were taught in class, the way to attach the cover is to stick it to the first and last pages. Unfortunately the wheat paste created a crinkly, water-stained effect.

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This probably wouldn’t happen with thicker, better quality paper. I hid it by glueing on some blue paper with a glue stick (hardly ‘archival’, but I wasn’t going to risk the same thing happening with the paste).

The homemade book cloth worked almost as well as the shop-bought type, but I did have a few threads start to come free at the edge of the cloth, that I had to trim off. Not sure how to fix this. I suspect if I dabbed some extra glue along the edge I’d get shiny dried glue showing. I’ll have to experiment some more.

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Two Scarves

A while back I used up some alpaca yarn by matching it with some black old Patonyle sock yarn and weaving it up on the rigid heddle loom. I decided to make another Ruffles Scarf, this time with some of the feltable yarn (the alpaca) in the weft as well. Here it is pre-felting:

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It took me a while to get around to the felting, partly because I thought it was quite attractive as it was. But I’d woven it very loosely to allow for the felting, and that wasn’t going to make for a very robust scarf. So into the front-loader it went, with a couple of pairs of jeans for company.

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I’m glad I went ahead with the felting. The texture is lovely. It’s very soft, too.

I have some leftover bamboo yarn that I didn’t fancy knitting into anything, so my next project was another scarf. This one had some leno twists at either end.

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The bamboo is rather slippery and I doubt any ends would stay put long, so I decided the weft had to be done with one ball – no joins. I’ve found that if I use the same yarn for both warp and weft, and the weave is fairly balanced and even, then one ball of warp usually takes up one ball of weft.

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The scarf is lovely and drapey. I have enough for another scarf, and I’ll probably do another kind of decorative effect on it. As always, I don’t know what I’ll do with the scarves. But I’m learning to not worry about that. I keep those my very favourites, and the others find a home with friends or family or a charity.

I still have plenty more to post about this week: more bookbinding projects, a twill blanket off the loom, a new book, and this week’s Sketch Sunday. Some projects needed that last photograph taken, so I’ve been organising that this weekend. And I’ve had a head cold, so there’s been a lot of pottering around doing a bit of this and a bit of that (rather than work), but not a lot of blog post writing.

Fused Plastic Bags

I’ve seen a couple of tutorials on the web explaining how to fuse plastic bags together by ironing them, and I wanted to give it a go. Trouble was, there are all kinds of plastic bags. There are the thin ones you get from the supermarket, and thick ones from clothing stores. There are a flexible ones and crinkly ones and ones in between. Did they all work the same way? Because the type I tend to accumulate are the thicker ones.

My mother has a subscription to Better Homes and Gardens, and once she’s finished with an issue she passes it to me. I’ve noticed that a few months after a craft idea hits the web it turns up in the magazine. So it was with the plastic bag fusing. The up side to this was that the instructions were a bit more detailed. Not only did it confirm that I could use my bag stash, but around what temperature to set the iron.

Even so, I started with the smaller bags, which I find I don’t reuse as much as the larger ones. I cut them up and trimmed them to a similar size:

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Apparently if you have any printing on the outside it ‘makes a mess’ so I put a plain blue one on one side and reversed a printed one on the other in the hopes that it would show through in an appealing way.

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Some cheap paper I’d kept from within IKEA furniture packaging was perfect for protecting the ironing board and iron. I set the iron to ‘wool’ as suggested in BH&G and got ironing. After a few minutes going over the bags slowly they fused enough that the layers didn’t separate. The thinner printed bag bubbled in one spot from overheating, but a quick press got it to stick flat again.

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I was satisfied with the result. The piece of fused plastic is thinner than a piece of leather of that rigidity would be. The surface has a nice rippled texture. I think it’ll make a good wrap-around water-resistant book cover.

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Reversing the printed bag isn’t something I’d do again deliberately. It’s not particularly visible and, well, it’s reversed. It would be better to place a clear plastic bag on top. I happen to have one plain clear shopping bag, but there are plenty of other sources of clear plastic around the house. Photo enlargements arrive from the developer in plastic sleeves. Zip lock bags are used and reused a lot around here. Yesterday Paul received a parcel with clear plastic bags used as packing, so I grabbed some of that to try as well.

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Because I have some plastic bags that I’ve kept as souvenirs and other that have nice designs, and if I can fuse them without ruining the printing, they would make fabulous book covers.

Weaving Twill

A few years ago Cleckheaton put out a couple of graduated yarns. I became enamoured of Vintage Hues when weaving up charity scarves last year, and whenever it came up in a stash bust I’d grab it. Then when it was to be discontinued it went on sale, and I bought even more.

Around the same time last year I wove my first big twill project, the Leftovers Blanket and loved the way the varigated yarns looked in it. It was suddenly clear that the Vintage Hues would look good in twill, too. But what contrast colour? I bought some black Dale Garn, but there were three shades of Vintage Hues. Which to use with the black? What about the other two?

Well, after my recent stash cull I did some match-making.

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The honey coloured contrast yarn is the Cleckheaton Country I recently dyed with eucalyptus leaves. I was intending to overdye it to get a colour I’ll be more likely to wear, but then it occurred to me that it would go well with the purple-green-yellow VH. The natural white coloured yarn is some Corriedale Clip yarn that came ‘in the grease’. I knit some beanies out of it, but the smell of the lanolin must have attracted moths and when I went to use them later they were full of holes. I frogged them and washed the lanolin out. There were a lot of breaks in the yarn because of the moths, but that would be okay for warp, since it’s cut into lengths anyway. I matched it to the purple-green VH.

I decided to weave up the white and purple/green VH first. There wasn’t a lot of the white, and a small blanket in a simple 2×2 twill seemed like a good warm up. But how wide the blanket was would affect how quickly the VH colours would graduate. I decided to do a quick test:

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I wound VH around a board about half the size of the loom’s width. This told me that the colours wouldn’t graduate to quickly and just become stripes. Then I wove, by hand, some white yarn through it to see how well the colours would contrast.

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I put some white card either side. Yep, it looked good.

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Then I warped up the loom and got weaving. Before long it I could tell that it was going to be as beautiful as I’d imagined. I can’t wait to put the next blanket on the loom. I’m going to weave the honey and purple-green yellow in 3×1 twill, and then the black and blue-purple in a more complex twill that forms a wavy pattern.

Unless I get tired of twill. If that happens, there are a couple of rag rugs in my queue that are calling to me, too.

Sketch Sunday 22

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I felt the urge to pick up the sketchbook again. This is the teddy bear I grew up with. I don’t remember if he ever had clothing, but I’ve always liked his uncomplicated appearance and subtle smile.

Stash Slash

On Monday I gave my stash another cull. The motivation was an email from a friend asking if I could give her mother some yarn to knit children’s clothes or charity items out of. But I also had a painfully blocked sinus, and was in a bit of a grouchy, fed-up sort of mood, and that might have contributed to the ruthlessness. I culled over 2 kilos of small batches of yarn. I also threw in the yarn that had led to the skirt sewing, because if that skirt taught me anything it’s that scratchy yarn is scratchy yarn, no matter what use you put to it. If my friend’s mum doesn’t want it, she can pass it on to someone else.

The skirt is going to the op (charity) shop. Ruthless is my middle name!

My stash spreadsheet was helpful in choosing what to cull. While I had it open, I decided to make an honest spreatsheet out of it, and entered the yarn that’s been on display in bowls around the house. Yes, I’m a bit naughty like that. Afterwards the stash was still smaller than after the cull, and I was able to fit everything into my plastic tubs easily.

But, as always, I still feel there’s too much of it, so I did some yarn-to-favourited-pattern matching on Ravelry and added some projects to my queue. I also updated my weaving projects queue. And that led to some reorganisation of the copious piles of fabric I’ve been collecting for rag rug weaving. And that led to… you guessed it… buying more yarn. But only cotton warp yarn for more rag rugs. I keep weaving-specific warp yarns in their own small, separate stash, so it won’t be adding to the stash stash.

Updating the weaving queue got me all enthused again, so I’ve started two new weaving projects. More on that in another post.