So it turns out I have tennis elbow as well as a return of RSI. The term ‘tennis elbow’ annoys me somewhat, since it makes it sound like I developed it because of a recreational activity, not work. I got to thinking, after a friend suggested I come up with better names, that I would rename my maladies more accurately. So I have Writer’s Wrist, Editor’s Elbow and Novelist’s Neck.
Or maybe that should be Weaver’s Wrist. Hmm.
Resting my hand and arm meant finding occupation that didn’t use it. I turned it into planning time. Getting out my entire stash, I plonked it on the office floor. Then I printed a pile of project sheets. Then I went through the ‘ideas’ section of my weaving folder, my stash spreadsheet, visual journal, notebook on my phone and the Craft To-Do list on this site, and wrote a list of projects, ideas and weaving structures I wanted to try.
A big mix and match session followed. By the end of the second day, I had twenty project sheets partially filled in and a list of 15 less developed project ideas.
Part of the motive behind this was that I never did get all my stash to fit in the wardrobe after my big craft room cull, and I hoped a reshuffle would fix that (it didn’t, but there’s now only one bag of yarn hanging off a door handle). Another part was a feeling that’s been growing these last few years, as I learned more about issues with ethical clothing and waste in general, that there’s an obvious conflict between constantly making stuff and not filling the world with more trash and toxins.
Both had me determined to use what I have. Also, as I considered each project, I asked myself the same question I do when considering buying clothing: “Do I really need this?”. It was a sobering question, as the answer was pretty much ‘no’ for all of them. So I asked: “Could I gift/sell it?” but that was followed by: “Am I then just filling the world with stuff nobody really needs?”.
I’m a creative person. I’m not going to stop making things. If I gift or sell them, I can’t know if the person who owns them really needs them. Heck, I can’t guarantee if a gift recipient, whether from me or a buyer of my things, will even like them or, if not, pass them on to someone who will not toss them. But I can try to reduce the impact of the making of those things by making sure the materials, tools and methods are as sustainable as possible.
Fortunately I don’t need to change much to do that. Since my interest in fibre arts began when I was broke, I have a long-standing habit of seeking out second hand materials. I prefer natural fibres and, when not second-hand, I go for as locally made as possible. The challenge will be to do this with the fine cotton yarns for weaving, as there’s not a lot of choice new and I’ve rarely seen them selling second hand. Hmm, time to do some googling…