The End of the Warp

Well, I didn’t get a full dishcloth out of the new supplemental warp. Turns out, the cardboard spacer on the base warp had slipped and made it look as though there was a lot more left to weave. But the slightly smaller dishcloth is still useable and it was interesting to try the tie-on warping method.

That just left sewing the hems, and then they were done.

I also sewed hems of a sample from when I was still working out the draft – a version that had the supplemental warp woven as part of the weft.

With all looms clear, I have a decision to make. Do I move the floor loom to the family room and keep the Jane loom set up on its stand in the textiles room? Or do I put away the Jane loom (to be my portable loom for lessons), move the floor loom into the textiles room in place of the table and put a removable table top on it?

There are pros and cons to both options. The removable table top idea might not work, but perhaps it’s worth a try.

Another Stitched Thing

Before I’d finished the first slow stitching piece I had the next one ready and waiting, but while I worked on the second piece my thoughts wandered down a different path: all the different applications I could put this stitching thing to. Which seems like planning, which is not in the spirit of slow stitching, and yet seems like exploring wherever inspiration takes me, which does.

I did a lot of exploring in the second piece.

When it was done, a bit of contemplation and experimental folding happened before I knew what it wanted to become. That, it turned out, was a zippered bag, with a quilted corduroy stripe at the bottom and as a tab at the side. I love it!

My favourite part of the stitching is this bit:

The stitch might be called ‘feather stitch’ in the little embroidery book I keep by my armchair, but linked up and meandering into a larger mass it looks like the pattern formed by streams joining to form every larger rivers, or the expanding growth form of tree branches. The stitched area has a satisfying texture not unlike lines of running stitch, but more fun to sew.

I’m also enjoying french knots more now I have the hang of them. And chain stitch, despite not really liking making daisies. I’ve always liked blanket stitch. But not so much the stem stitch I used for the spirals, which I kept having to unpick and redo because they looked too wonky.

Even More Dishcloths

So I ran out of the new supplemental warp.

I got three dishcloths out of it.

But there was still some base warp on the Jane loom. So I took another batch of thrums from the collection and tied a new supplemental warp to the ends of the old one so I could draw it through the heddles rather than rethreading them. This was a bit fussy, but relatively quick since it didn’t involve many warp ends. My main concern was the knots coming undone as I drew them through the heddles. I looked around for some kind of fabric stiffener or glue and found the spray bottle of starch I’d bought for stabilising quilt tops. It did the trick, and I’m now weaving dishcloths with two shades of mid-blue patterning.

Using up thrums and adding new colours is making these dishcloths interesting to weave, but I am looking forward to getting the loom cleared. Especially because I found a tutorial for zokin (dishcloths made from old fabric stitched with sashiko) which, while all done by hand and so not particularly fast, are probably a LOT faster to make than weaving (and sewing) them. And will be an excellent way to use up scrap fabric and yet more thrums.

A New Thing

Of course, trying to finish UFO and organise my stuff is the perfect time to try a new hobby, but in retrospect, it was doing those things that led to the hobby-trying.

Because of thrums.

This is after culling and using maybe a third.

I have quite a lot of them, and recently I’ve tested a few new ways to use them up. I tried combing some wool thrums into fluff to spin new yarn out of, but it was too much like hard work and the yarn it made was yucky. Then I made some wool thrum tassels on a day when only a mostly brainless task would do, and I was pretty happy with the result. They’ll be used as decorations at my next party thing.

These will be party decorations.

Then I realised that the perle cotton and 16/2 cotton thrums would make excellent thread for slow stitching pieces.

Ah. Slow Stitching. A woman I met at a car thing a few months ago enthused about it, and of course I’d seen examples on Instagram and YouTube. With those thrums sitting there needing a purpose, I did a bit of research, brought out my new ‘scrap fabric’ tub and started playing. I made a piece out of blue and green offcuts sewn with natural white cotton thrums, that became a small drawstring bag.

Then I started on a piece in red shades stitched with yellow, green and salmon pink perle cotton thrums.

And somehow I managed to buy a book on the subject. And some little packets of fabric scraps I found at an op shop.

I’m not sure where this is going, but that’s kind of the point. This is very much a journey-more-important-than-destination pastime. The fact is, though, that’s not very me. However, I am able to enjoy the lack of end purpose if I tell myself that I don’t have to decide what the thing I’m making will become until I’m done stitching. As with most new hobbies, the first things I made are more about learning and practising. I may grow more intentional in my choices, but for now… this’ll do.

The Art Quilt

When the Summer of Quilts ended I was left with a handful of quilts that still needed topstitching and binding. Not wanting them to languish in a tub somewhere, but needing a break from quilt-making, I decided to finish one a month. I think I’m on track. I’ll just check…

In fact, I’m ahead! I finished the Blue Quilt in March, the Purple Quilt in April and I seem to have forgotten to blog about the Bookcase Quilt in May. I finished another one this month but won’t be posting about it until the recipient’s birthday has passed. What I can post about is the other quilt I finished in June: the Art Quilt.

I decided to use serpentine stitch on my machine again in the sections of plain colour, in a matching shade. Going around the squares was fun and somehow the start and end of the stitching always met, or came close. I like how every turn happens in a different part of the wave so you get a different ‘kink’ each time. The threads needed to be tied and hand-sewn into the batting because I wasn’t sure if I could back tack using serpentine stitch. Really, I should have just done a test – it would have saved a lot of work.

It would have been fine to leave the quilt as it was at this point, but the gaps between stitching seemed a bit wide to me. I decided to do more top-stitching, this time sewing around the multicoloured squares with multicoloured thread in straight stitch. Then I did a bit of thread ‘scribble’ in the white centres, which I love. I’d wanted to do that with fabric pens or crayons, but didn’t like the results when I tested them on scrap fabric, so I’d left them unadorned.

There’s just one quilt left to finish now. Only when it’s done am I free to make another quilt. Will I? Maybe. There’s enough flannelette left to make one, possibly two, small quilts. I’m also intrigued by the kawandi quilting technique.

But I am well stocked with quilts now, so maybe I’ll also impose a rule on not making more quilts until I’ve found homes for some of the ones I already have.

Making it Easier – June

Well, I’ve been hand at work making things easier. I’m quite worn out from it all.

Moving contents of three rooms has mostly been something we could manage… if the definition of ‘manage’ includes lots of rest and pain killers. I’ve been getting quotes and looking for solutions for a few other matters around the house that we can’t do ourselves. A quote for having mulch blown onto the garden beds has us considering if the beds could be a bit smaller and where we could plant more ground covers. A quote for concrete edges made it clear it’s MUCH cheaper to get a gardener in now and then to refresh the trench edges.

On the craft front, there’s nothing like moving everything to reveal how many UFOs need tackling. Like with the potential refashioning projects, I decided to cull them by asking myself: do I really like the thing I’m making?

The Crochet Cardigan. I started this months ago with the idea of crocheting the yarn from a scarf I knit on holiday in the UK 20 years ago, which spent some years as the collar of a jacket, into a striped cardigan. It was all going well but then my hands got quite sore and I put it aside for a while. The break has made me realised I’m not that thrilled by it, especially because much of the yarn is weak from age, and if I continue I’m sure to get RSI again. Answer: no.

The Ugly Grey Jacket. After I removed the collar from the jacket I crocheted a replacement. The result was good apart from one problem: the colour was horrible. So I finally got aroud to dyeing it black and like it much better. Answer: yes.

The Woven Dishcloths. The last thing I wove on the Jane was dishcloths and the leftover base warp has been on the loom for a year or so. Something about having so many thrums nudged me into threading some onto the loom as the new supplemental warp, and now I’m weaving more dishcloths. Answer: yes.

The Too-Short Petticoat. Was supposed to be lining for a see-through skirt, but somehow I got talked into making a petticoat instead. It’s not slippery enough for that, and it’s too short. I had the idea of adding a ruffle but seriously, it’s not worth the time. Answer: no.

Quilts. I’m enjoying getting the last of these finished. Answer: definitely!

Dishing it Out

The room reorganisation isn’t fully done yet, but it’s mostly there. I needed to take a break so my back could heal. A bit of quilt topstitching happened, and some tweaking of a crocheted scarf, and then I found myself tackling the warp on the Jane loom.

Last year… or maybe the year before… I warped up the Jane to weave dishcloths. They have a supplementary warp for the surface pattern, and it ran out before the main warp did. By then I was well tired of weaving dishcloths and planned to cut off the excess and toss it.

But I never got around to it, and when I sorted through my ample collection of thrums I wondered if I had enough in one batch to wind on a new supplemental warp. I found a bundle of yellow, orange and teal cotton that looked promising, and set about winding that onto the loom in three wide stripes. Of course, somehow I counted wrong and came up short, but it was easy enough to add a fourth stripe of green and weight it at the back.

The main warp is 16/2 cotton, woven quite densely because the underlying structure is waffle weave, so there a lot of threads in each dent and I had to do a bit of trouble-shooting when I found some of the supplemental warp threads were in the wrong dent. I didn’t expect to get the rethreading right the first time and after I sorted that one problem was able to weave.

I don’t know if there’s enough of this new supplemental warp to last the rest of the base warp, but if there isn’t I’ll tie on a new supplemental warp rather than having to re-thread the heddles. There might be some more thrums that I can use up. I’ve been on a bit of a thrum-using campaign here.

Booted

If you follow me on Instagram, you might want to know that I no longer have control of my art/craft themed account. It has been decoupled from the writing one for no apparent reason. I’m still trying to regain access but, now that I know this can happen, I will delete it once I’m able to. If I am ever able to.

I wasn’t using Instagram much due to the explosion of ads, and stopped posting art once I heard about AI. Now I’ve learned – not directly from Meta of course – that users will have to opt out of having their work used for AI training, which is a real faff or else impossible to do (like regaining access to an Instagram account), and once source says Australian users won’t be able to opt out at all.

I do miss following artists on Insta, so when I heard of a new social media called Cara I had a look and was delighted to find some of the people I followed are over there. I’ve signed up and will be lurking for a bit, but once I have a feel for it – and some time – I’ll try posting some art.

Shifting

The room rearrangement here is done but for the sofa bed – Lotas loom swap. Most of the large furniture was moved over one weekend, which left me very sore and tired. Then I tried to concentrate on getting a room as organised as possible before moving on to the next.

The Guest Room

This was the first and fastest room to organise (apart from switching the Lotas Loom and sofa bed which had to happen at the end). I moved the smaller zed desk in for my writing computer but it was still quite large for the space, especially with a sit-stand mechanism on top, so I bought a sit-stand desk from IKEA. Only to find it was too big. Somehow communication between the sales person and me got garbled – I think we had different versions in mind when I said I wanted the smallest. Fortunately, disassembly was fast and easy, and IKEA let me exchange it for the right size.

Next up was moving three bookshelves and the contents of a wardrobe. All I can say is, by the end I was determined to re-home a number of books and cull a lot of filing cabinet content.

The Textiles Room

This room had to accommodate the most stuff, and it just didn’t all fit until I’d done a lot of organisation, culling and made another trip to IKEA. The main bit of culling was of project leftovers and materials to repurpose. I keep leftovers from projects in case I need to repair or refashion, but I was able to cull yarn and fabric from things I don’t have any more. I also went through the materials for repurposing projects and asked myself if I actually liked them, and removed two-thirds.

By attaching the sewing table top to an old EXPEDIT unit I was able to remove two table legs blocking access to the shelves, which made a surprising difference in getting stuff to fit.

The Art Room

This was the room I am least sure of. I’ve never had an entire room reserved for art. I didn’t want to get rid of my zed desks, the pine table that my Dad and I restored, or the Lotas loom, but they wouldn’t all fit in there. After watching several art studio makeover videos, one thing an artist said struck me as relevant. She said she liked working on her old glass-topped desk, as it was easy to get the paint off. So I decided both zed desks were staying.

That meant choosing between the pine table or the loom. I was having a hard time picturing how the room would function and decided I need to work in there for a while, trying furniture and lighting configurations. It would be impossible to do that with a huge loom in the way, so it has to go elsewhere, at least for now.

As for worrying about ruining the carpet… in IKEA’s “As Is” room I found a I found a rug made of wool and cotton, in neutral colours so no risk of it influencing paintings, and on sale at a price that means I won’t mind too much if I stain it.

Final Touches

A pegboard and fittings had been sitting in the garage for a while, waiting to be installed… somewhere. Instead, I got Paul to cut it in half and add hanging brackets. I painted them white and hung one in the textile room and one in the art room. I’ve not used a pegboard before, but they feature in plenty of art and craft videos and we had it already, so I’m giving them a try.

I finally had space for the big h-frame easel. Once I’ve had time to get a feel for the room, I might be able to rearrange things so the giant canvasses can be stored in there rather than in the hallway.

It’s been an interesting but exhausting two weeks. I think it’ll be worth it. The test will be working in the rooms. Hopefully that means I’ll have a craft project to post about soon!

Making it Easier – May

One thing I’ve begun to understand about making things easier, is that it’s hard work. It’s the ‘making’ part of that intent – thinking of the change that would make something easier then doing the work and organisation to get that change to happen – that takes all the time and energy. It’s only after you do the ‘making’ that life gets easier. If all goes to plan.

If I’d decided ‘take it easier’ was the motto of the year, things would have been much more relaxed. As it turned out, May was a month in which I worked very hard to make life easier.

For ages now I’ve been looking at the rooms I use for work and play and feeling something had to change. For a start, two were dedicated to activities I wasn’t doing much any more: writing and weaving. It seemed crazy that I was making art in half a laundry while those rooms remained mostly unused. Adding to the pressure was our cat getting old and suddenly refusing to go outside to toilet. Having the litter tray in the bath isn’t fun for cat or humans. The laundry is a better location, but it was full of my art stuff.

The physical roadblocks for change were mostly physical: I couldn’t see where to relocate the Lotas loom, I worried about doing art in a carpeted area, and I didn’t want to ruin the comfortable combination of furniture I had in place for sewing. I hadn’t realised there were mental blocks, too. (Other than simply knowing it would be hard work.) It turned out that changing anything to do with my writing set up was an acknowledgement that a significant era of my life had probably drawn to a close, and I hadn’t been ready for that until now.

What removed these roadblocks was staying overnight at Dad’s place after he’d had a minor procedure with anaesthetic. It was so impractical, compared to having him here, for reasons too long to list. To make staying overnight at our place appeal to Dad, we needed a proper guest room again and a bathroom free of cat toilet smells.

That meant reducing the area I was using for work and play from 3 1/2 rooms down to 2. Or did it? I realised that a pared down set of office furniture and contents could easily exist in the guest room. Guests would only limit my access to them a couple of times a year at most.

While getting 3 1/2 rooms down to 2 1/2 sounded easier, or 2 1/2 rooms dedicated to hobbies down to 2, it was still an intimidating prospect. I reminded myself that I’d had one room for hobbies when we first moved here (ok, I’d painted in a classroom and hadn’t owned a floor loom) and when we eventually downsize I’ll probably have the same. I’d watched The Gentle Art of Swedish Death Cleaning. I could do this.

The strategy was this: the office would become the Textiles Room, the craft room would become the Art Studio, the Loom Room the Guest Room. It only involved moving every piece of furniture. Since I don’t have Illustrator any more and probably wouldn’t remember how to use it, I mapped out a floor plan and made cut outs of the furniture. After working out where most things would go, I did a mock move and found that everything had to be relocated in a particular order to avoid double-handling.

The Lotas loom was never going to fit in the Textiles Room. It might go in the Art Studio, or in another part of the house. I can put that decision off for a while because moving everything else is going to take plenty of time and energy, and moving the sofa bed to where the loom is now is the last item on my list.

May’s making it easier tasks will become June’s. And this is a classic example of how ‘making it easier’ turns out to be hard work, both physically and mentally.

But in the end, easier.