Having had success using up the ikat leftovers, I dug out some more unused warp end. These were from a mistake-ridden shawl that was the last item I made on the table loom before I got my floor loom. I had two colours, one of which I still had some yarn on the cone. I dug out more of the same kind of yarn (Bendigo classic 3ply) in colours that might go with the leftovers. And I went looking for project ideas.
I was inspired by the ikat scarf stripes, but this time I wanted to do more than tabby. I thought of the twill stripe project in Next Steps in Weaving, and when I counted up how many ends I had and measured the remaining warp I had almost enough for the stripes. All I had to do was make the central stripe narrower and it would work.
For the narrow stripes between the twill ones and the weft I could have used a lighter salmon pink or a dark blue. I decided on the latter, as I liked the idea of a more subtle low contrast.
Warping was a challenge, since most of the ends were already cut so there was no cross. Once I had tied it on and spread it across a raddle, I wove the lease sticks through chunks of warp to provide some evening and tension. Even then, once the warp was on I had to adjust the tension quite a bit before it was even enough.
When I got weaving, I tied up the middle four pedals to match the draft and started carefully working my way through them in the eight step order to make the pattern. When I’d done a few cm I had it memorised. Only then did I remember that I have eight pedals, and all I needed to do was tie up them up so I can simply work from pedal 1 to 8 over and over.
This is, after all, one of the reasons I bought the loom!
The result of all the fiddling with the warp has been so worth it. I’m loving how it’s coming out. This one may be a keeper.
Recently we flew to Canberra for a couple of nights so I could photograph a portrait subject. Not only did I get some great shots for the intended sitter, but found another one willing to pose for me. With it taking at least five months to finish a portrait, I’ll be happily occupied for nearly a year.
While I was there, the friend I was staying with took me to the Old Bus Depot Markets where they were holding a Celebration of Wool. I certainly know how to time my weekends away! We fondled lots of lovely yarn and grew dizzy on yarn fumes. But we were both admirably restrained in our shopping choices – me keeping in mind I only had a tote bag rather than a suitcase. I bought some skeins of cotton chenille, a cone of fine alpaca, two skeins of hand dyed alpaca, and some cat buttons.
Some years ago I make a scarf with an ikat effect by laying a skein of sock yarn out so the stripes matched. For some reason I can’t recall, I had three bundles of eight warp ends left over. When I found these recently, I had the idea of including them as stripes in a scarf.
So I warped up the Knitters Loom with it and other balls of leftover sock yarn and wove this:
I really like how it turned out, but I have too many scarves already. It’s plain enough to be a man’s scarf, and I admit I was rather hoping Paul would express a liking for it. He hasn’t, so it’ll probably become a gift.
… is done
Twenty large squares woven on my handmade pin loom, sewn together and crocheted around. It’s lovely and cosy. The week before last I was wrapped in it while fighting a head cold, with the cat curled up in my lap.
This one’s been going for a while. I started the version I pulled apart to start this one a year ago, and started this one a month or so after. The slowness has been deliberate – it’s a soothing project to do when I don’t have brain energy so I’ve been saving it for those moments. Recently I had a nagging stomach virus thing, and on a day of distractingly noisy plumbers working in the laundry (which is opposite my office), I had only the mental capacity to stand and braid.
A few hours later it was done. I gave it a quick rinse and spin in the washing machine, and when it was dry laid it out on the kitchen floor.
Pretty happy with that. It’s nice and cushy under the feet, and matches my woven denim rag rugs. Amazing what you can make out of some old jeans!
An idea for a Bargello project has been floating around in my head for a while, but to do it I’ll need lots of colours of tapestry thread. A while back I jumped onto eBay and bought two large batches of leftover thread. And when I say large, I’m not kidding. This is what the two looked like spread over my eight-seater dining table, after I’d untangled the bigger of the two batches.
In fact, the largest batch arrived on a day when I hadn’t slept well, felt very crappy and sorting out the contents was just the sort of meditative task I needed. It was a huge tangled bag of mostly tapestry thread but also crewel yarn, perle cotton and stranded cotton. Some was precut into lengths, some precut and clearly from kits, some still in skeins with labels and some not, and lots of lengths from several meters to a cm long. There was even a few scraps of knitting yarn in there. It was like somebody had thrown someone’s entire collection of embroidery yarn into a bag, including the contents of a bin.
The stranded cottons were all precut lengths with no labels so I added them to my collection. The perle cotton and crewel thread was too, so I tied the cotton together and the thread was knotted onto a metal ring.
Of the tapestry thread, there were several brands including some very old skeins, of which most had felted. I packed most of the tapestry thread into a basket with the ends showing so I can see all the colours.
I left out the oldest stuff and a group of unlabelled yarn that appeared to be thinner than the rest. The old, felted yarns I started to weave on my Knitters Loom (more on that soon).
The thinner I started nalbinding (another post will cover this).
A friend from Canberra, Donna, came to stay recently, and having heard that I’d been trying out basket weaving brought me an armful of New Zealand flax from her garden.
I’d done a bit of research on how to prepare it, mostly late at night when I couldn’t get to sleep. But when I went to find the instructions again the internet wouldn’t cooperate, so I had to do it all by memory.
I’m rather impressed with my memory (which is something I never thought I’d say) because I remembered them pretty well! There was a certain amount of just doing what felt right, as well. An hour or so of fiddling later, using pegs to hold things in place temporarily, we had these:
Donna’s is on the left, mine is on the right.
It was much faster to weave a basket this way than use the coiling method. However, you waste a lot of the leaves in getting pieces of an even width and length. I’ve kept the longer offcuts, which I’ll dry and then see if I can shred and use them for coiling.
A friend has offered me some flax she wants to remove from her garden. I have a spot I think it will suit. If all goes well, maybe in a year or two I’ll have my own supply.
Silly me. I was so eager to finish the Waffleweave Blanket, I forgot to add the plain weave to the final edge.
I had to remove the first bit of plain weave and tie the fringe on both edges with knots. Lots and lots and lots and lots of knots. I’d just zig-zag along the edge but I’m worried that, even with the edge encased in satin blanket binding, the rough handling of a child might lead to unravelling.
I’m afraid my sewing leaves much to be desired. Darn slippery satin edging!
But I’m happy with the result. And the blanket was delivered to the parents this week. I hope they like it!
I can now tick waffleweave off my list of weave structures to try. It was easy to do – easy to thread the warp and easy to weave. I’d definitely weave it again.
At the end of the coiled basket workshop the teacher encouraged us take home some of the leftover cordyline leaves. She also sold us some waxed linen thread.
I decided to try starting a bowl with no plastic disc, and it went okay – a bit untidy but I think I can do better with practise. At first I soaked all the leaves, but I didn’t even use half of them. So I began soaking five at a time, which gave me about an hour’s stitching each evening.
Eventually I ran out of leaves, and this is what I’d made:
Which I’m rather happy about. It’s pretty firm, though there’s a slightly looser band in the base where I must have been a bit wussy about tightening the thread. Not loose enough to compromise the structure, though.
I stopped when I ran out of cordyline, though I couldn’t have made it much larger as I had nearly ran out of the thread. Doing an hour or so gave me a much better idea of how long the method takes – which is much longer than I recall Mum’s cane baskets taking! If I was to make anything bigger I’d have to buy more thread, or use both of the remaining colours I bought on the same basket.
Or try using other materials, like yarn with rags, or wire and old garden hose!
Christmas to New Year is usually the time I go through my whole wardrobe and cull things. This year I couldn’t be bothered looking over it all, so I just did my knitwear. I decided to cull four items. Two I unravelled, one went to a friend and the other to the op shop.
That gave me a batch of 12ply/bulky yarn, and two batches of 8ply/dk. I liked the idea of weaving the 12ply with itself to make a blanket, but I didn’t want to occupy the floor loom with a plain weave project when I could do more interesting 4-shaft ones. I wasn’t sure the thick yarn would go through the heddles or reed anyway. Weaving strips on the knitters loom and sewing them together didn’t appeal, and it was too thick for the pin looms I have.
Well, there was a way to get around that last problem:
Paul made the frame, I put in the nails and a tac to anchor the starting thread. Once my new pin loom was finished, I got weaving. The longest needle from my bought looms is a touch too short, so I use a darning needle and work my way across.
Soon I had a few squares to block:
It makes a slightly open, drapey fabric. I scaled up by the same difference that 12ply is to 8ply. But since 8ply yarn on the pin loom I scaled up weaves a little loose, it’s no surprise the 12ply does too. It’s not too open, though.
The up side is I could weave thicker yarn on it. Or weave with 10ply doubled, or 8ply tripled. Which would be a great way to quickly use up yarn.
The only problem I’m having is that using a darning needle means I need to rest the loom on my lap, which I can’t do if the cat is there. So the weaving of squares has been a bit slow – especially with the unseasonably cold weather we’ve had lately.