Archive for the ‘life & everything else’ category

Craft Day: Before, During & After

May 7th, 2013

On Friday, after writing the last post, I got stuck into a few side projects I’d started then put aside. I made good progress on making map coasters and turning some embroidery hoops into frames, then opened a template I created ages ago for a portable rigid heddle loom that could be laser cut from an A4 sheet of acrylic, and I tweaked it and managed to fit in a heddle.

I also made these cookies:

That night I gathered all my inkle looms and The Weaver’s Inkle Pattern Directory around the tv armchairs so I could dabble and read. Like other kinds of weaving, it always seems there’s a mountain of techniques still to learn. I decided I wanted to at least get the pick-up band done and off the loom so I can try a few new methods.

Saturday was Craft Day, and we had a lovely, relaxing afternoon. At the end of a long, chatty lunch I brought out a quilt project, then after a rather bad attempt to teach crochet to the host’s daughter (I was trying to reverse everything because she’s left-handed and I’m not and, well, I just find knitting easier to explain) I moved on to a test portrait of a friend. Here is an in-progress shot:

When it got too dark I switched to the pick-up inkle band. I made a right mess of it and had to unweave half of what I’d done. Pick-up requires focus, which is frustrating as inkle band weaving is the most portable and could replace sock knitting as my out-and-about craft. I kept thinking there must be an easier way to do pick-up. My head spun with ideas of additional overlapping heddles and such…

On Sunday I finished the map coasters, continued with the embroidery hoop frames, and spent a few hours on the pick-up inkle band. I also followed a link I found on Pinterest to a wood turner who makes inkle looms and found a curious heddle with extra slots designed to make pick-up bands easier.

Well, that made me sit up and take notice. I followed a link to the weaver, Susan Foulkes, who designed it, then watched a Youtube demo video. In the video the heddles are plastic and called the ‘Sunna’, so I googled them and found they were made in Sweeden by STOORSTÅLKA.

Needless to say, one of these is now winging its way to me. I’m wondering if this means inkle weaving is my next temporary obsession. My fixations on the Bond and sewing both involved me coming up with modifications and new tools. Perhaps I’ll finally get around to making a tape loom out a wooden magazine file, and there’s that laser cut acrylic loom template sitting on my hard drive.

What Next?

May 3rd, 2013

So many projects, craft and work, were due by last weekend that I find myself at a bit of a loose end. It’s not that I don’t have anything to continue with – work will be pretty hectic for the next six weeks and I have plenty more craft projects waiting in my hobby to-do-list. The trouble is I don’t know which craft project to tackle next.

  • I could continue sewing. After all, the machine and overlocker are still set up on the dining table downstairs and it would be nice to try out my new dress form. I’ve also snaffled one of Paul’s old shirts to make a pattern from. And there are some bag projects waiting in the wings.
  • I’ve done hardly any weaving lately. The ruanna project on my table loom that I set up for a demonstration nearly a year ago still isn’t finished. There’s also a pick-up inkle band that I started for the same demo, and I wanted to work through more inkle bands from The Weaver’s Inkle Pattern Directory.
  • The photo frame necklace needs paintings to fill the frames.

  • It’s been years since I did any bookbinding and an artist I gave a few sketchbooks to would love some more. The work she has done in them is adorable. Nothing like an appreciative recipient to bring extra joy to the process of creating!
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  • The silver clay kit that Paul gave me for Christmas hasn’t been tried yet. I was waiting for cooler weather for firing. It’s plenty cool enough now.
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  • I still haven’t made any progress sorting out our photo albums.
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  • There are a couple of experimental and home decor projects I want to do, including map coasters, framing some embroidery, solar ink printing and making a shrinky dink weaving reed.
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    So much to do! What to choose? This weekend we’re having another Craft Day so I’m eyeing the projects that are the most portable and least messy. That could be the shirt pattern, inkle bands, photo frame inserts and a bookbinding project that doesn’t require glue. I could also work on the portrait I’m painting and the flannel quilt I’m stitching.

    Perhaps I should concentrate on getting some WIPs finished. Or knock off some small projects that have been hanging around. Or take something to Craft Day that I can teach the host’s daughter, who has reached the age where she likes to join in.

    Or maybe I’ll just load up the car with materials and tools for everything on the list that’s portable and see what catches my interest on Craft Day.

    Hot & Bothered

    March 11th, 2013

    We’ve had a crazy number of days of 30+ degree weather, and have a couple more in the high 30s to go before the relief of a cool change arrives. Apparently it was the hottest summer on record. I have to keep reminding myself that it’s officially autumn now.

    The weird thing about this is that we haven’t had a run of 40+ degree days as we’ve had in the past. A few years back Adelaide had a crazy long run of 40+ degree days. So it could be a lot worse. But it still feels wrong.

    Maybe, for me, it feels worse because I was right about hot flushes and summer being a nightmare combination.

    I’ve been wondering why the heck we built my workroom on the first floor facing northwest. (The answer, of course, is that up was the cheapest and easiest way we could extend.) When you go upstairs you ascend into a layer of hot air at about chest height. When you then walk into the workroom it’s like walking into a sauna minus the humidity. I can run the aircon, but with a heatwave this long I’d have to run it night and day to make the room usable. There’s also something wrong about burning so much energy and ultimately contributing to the global warming that’s probably causing the extreme summers we’re having.

    So instead I’ve moved into the big open plan lounge and kitchen room at the other end of the house. The aircon there is stronger, and the crazy compressed straw insulation the original architect built into this place works its magic. If I could sleep down there, I would. In fact, it might come to that in the next few days.

    Paul was off doing vintage car racing things on the weekend. I had four days by myself. I took my computer downstairs and continued working on the Bond, making good progress on both. I’ll have knitted garments to post pics of, once the weather cools down enough to model them.

    Again

    February 14th, 2013

    I’ve been reorganising the workroom yet again. I blame the cat.

    You see, it all started when I finally got around to re-covering the sofa bed in the library that Slinky had shredded. While it was in the shop and out of the way we rearranged the bookshelves behind it. That led to a book re-shuffle. That led to us having the space and need for a tall, narrow bookcase. I had one in the workroom, and decided that I didn’t it in the workroom as much as I needed it in the library.

    And that led to reorganising everything on the remaining shelving in the workroom.

    What? Less storage in the workroom? Well, the bookcase was a single five-shelf Expedit unit sitting on top of two 4×4 units. It was full of books and magazines. But half of the books are now going into the library and the rest…

    Well, the rest were craft books and magazines, of which most were about knitting. And since I’m avoiding hand knitting now thanks to RSI, there really wasn’t any point owning so many books on the subject. So I cut the collection down by half.

    It was surprisingly easy. I was keeping a lot of books simple because I’d knit something out of them. Yet every time I made something I’d take a photocopy of the pages so I wouldn’t end up scrawling all over the book, so I had a record anyway. A lot of these garments I didn’t have any more, because they were now too small or I’d grown tired of them.

    There were books I’d kept for sentimental reasons, like the Stitch’N Bitch book that was the first knitting book I bought after getting hooked again. There were books I’d never made anything from anyway. And there were books that failed to sell last time I’d had a big cull.

    I didn’t cull all the books, though. One way I was getting around having less shelving was by storing things on top of the remaining units, but books don’t stand up without support so they had to move down onto shelves. That meant shuffling more of the shelving contents around, which led to an all-out clean-out.

    Knitting tools and the folder of patterns I’ve made got thinned. Boxes of paper and card were culled and reorganised. Art materials, tools and books were shuffled so they fit better or were more accessible.

    So that’s the linen press with it’s boxes of craft supplies, the wardrobe, the bag collection, the library and now the workroom culled and organised. To be fair, the last time I did a workroom reshuffle I didn’t have to touch these particular shelves, so they were due for it. Even so… I’m starting to wonder, what driving all this culling and tidying up? Is it part of some deeper itch to get a little order into my surroundings?

    Whatever the reason, it’s had some unexpected benefits. I had barely touched any fibre craft in months, and suddenly I’m all inspired again. Which means blog posts with pics are coming up.

    Book Shelfishness

    February 7th, 2013

    When making the shift into co-habitation, the question of which possessions to combine and which to keep separate is an interesting and sometimes tricky one. It probably says a lot about a couple which possessions they don’t allow to become enmeshed and which they do. Sometimes it’s a matter of identity, sometimes practicality.

    Paul and I have always kept our music collections separate. This is mostly practical. We both have eclectic but quite different tastes. There’s not a lot of overlap. So it’s easier to find what we want to listen to by keeping our collections separate.

    We also have kept our books separate. This was not practical; it had everything to do with identity. The books that we own are a snapshot of our personal histories. We kept them in different bookcases: mine in the pine bookcases I had made nearly 20 years ago and took with me wherever I moved, Paul’s in incredibly heavy solid timber glass door cases we don’t really want any more of.

    The thing is, we’ve been together for over ten years now and have since bought so many books that we’ve both read and for which there’s no way to tell whether a particular book is ‘mine’ or ‘his’. The bookcase issue is getting to be impractical, too. I’ve been culling my books savagely in order to fit everything in mine, and Paul goes on adding to his, which is starting to feel a little unfair. No, it’s starting to feel a LOT unfair. Especially when Paul often ends up adopting books I’ve culled.

    Hmm.

    So I suggested the other day that we finally combine our collections. Paul, to my surprise, agreed. (In fact, he looked rather happy about it… until it came to the part where we had to remove, cull, re-order and replace a whole lot of books.) But to reassure the possessive bibliophile in me, who still remembers the awkwardness of having to extract my books from the ex’s collection, I’ve come up with a salve: bookplates.

    We’ll probably only put them the books we feel most sentimental about. While I could buy them, we’re going to need an awful lot of them. I could make them, but that’s going to be time-consuming. However, I have had bookplates printed before for people who forget to bring my books to signings, or have ebook versions. It’s a lot faster and cheaper to have them made in bulk.

    Bagapalooza

    January 25th, 2013

    After all that faffing about with my wardrobe and fashion advice last week, for some reason the list of must-have bags in one of the Trinny & Suzanna books stuck in my head. I can’t recall exactly how it goes, but it included a brown day bag, a black day bag, a nice going out bag big enough to carry all essentials, a big tote, a smaller evening clutch or three to match your dresses, and a teeny tiny bag you can wear while dancing.

    I’ve always had one go-everywhere bag (usually black) that I wear until it falls apart, too many totes and a handful of little evening bags that mostly don’t get used. So was there any reason to change?

    There’s sense in having a second not-black bag, especially as I wear lighter colours in summer. Currently I’m using a brown satchel I bought at the Camberwell Market in summer, and a black day bag for winter. Thanks to a bag insert it’s an easy thing to switch over. So all set there. (Until one breaks.)

    I have a nicer bag – my Jubly Umph anatomical heart bag – that I can use for going out, which the bag insert also fits.

    Totes I have plenty of. Free totes attach themselves to me all the time. I have my favourites and I’m already in the habit of passing anything I don’t love to people who’ll like them better, or to the op shop.

    So when it comes to big bags, I’m sorted. When it comes to small ones, however, things are a bit dire. I often can’t find a suitable evening bag despite having plenty of them. I have bags that I was given, inherited, bought and made, but most of them don’t work for me. Why not? Well, there are a couple I just don’t like and the rest are too casual. The former are off to the op shop, and the latter…

    Basket Bag:
    Yeeeeaaaars ago a friend bought a fabulous and rather expensive bag that I admired. The ex took note then bought me this cheaper but impractically small version. I can barely get my wallet in it. Which would be fine if I used it as an evening bag, but the colour doesn’t go with anything I’m likely to wear of an evening.

    I had regretfully put this in the op shop pile, but then I had an idea. Recently I spruced up some old suede boots with some leather dye, so I decided to try it on the bag. It worked:

    Finally, after 20 or so years, I think I will get some use out of this bag.

    The Teeny Tiny Dancing Bag:
    Small enough to wear on the dance floor, large enough for a hotel room key, credit card and lipstick. I recently refashioned it to match a particular skirt, which is limiting it’s usefulness.

    That’s better:

    Cross Stitch Bag:
    Given to me by a friend years ago after she went holidaying in Bali or Thailand. A bit casual for evening, though. So I added a beaded fringe and some beading along the tip, which took a while but was worth the trouble. Now it will suit a party or a show (though not the opera!):

    The Green Bag
    Woven as a backup for a bag swap, in case the one I really wanted to make failed (it didn’t).

    I’d never liked the handles being brown, though I was surprised to find I loved that they were big loops and clacked together in a satisfying way when hooked over my arm. Well, that was easily fixed:

    Actually, I think the handles being bigger suits the bag better, too.

    The Knitting Bags
    These have now found their way into the evening bag collection.

    I bought the green one intending to carry sock projects in it but it proved too small. Turns out it matches a top I have perfectly. The pyramid bag is an old favourite. It’s nice to know I’ll still get use out of both.

    I’m really happy with how this bag cull worked out. I like the bags I have now. And instead of feeling like I need to buy a whole lot of bags, I can see there’s only one kind I do need to buy, to go with the more formal dresses: a simple black clutch.

    Of Pears, Vases & Hourglasses

    January 21st, 2013

    Last week I decided it was time to clean out the linen press. (Old fashioned term for a cupboard you keep sheets & towels in.) I had ours made extra big so I could store the craft materials overflow and those things you never plan storage for, like boxes of ornaments. After all, you can never have too much storage.

    By the time I was done, I had filled two big garbage bags and half the dining table covered in things for the op shop. Half of the latter was clothes for alteration/refashion. While I can sew, it’s not something I love and I’d rather be spending craft time doing something that excites me. Yet that wasn’t the main reason I gave up on these projects. When I ask myself why these clothes ended up in the pile it was because:

    1) I didn’t want to let go of old favourites just because they didn’t fit any more
    2) I’d bought something that turned out to be a dud

    Both reasons pointed to the real problem: my body shape has changed in the last few years, and I haven’t a clue how to dress it.

    I used to be a classic pear. Dressing a pear isn’t too hard. Balancing proportions is all about creating illusions. People notice the top half of a person more than a bottom half, so half of the work is done already. You just need to pick slimming skirts and pants in dark colours, then you’re free to have fun with tops.

    But I’m not a pear any more. I’ve got bigger over all, but mostly around the bust. Going from a 10 to a 12 in my 30s and a B cup to a C didn’t make a huge difference in the clothing I wore. I filled out my clothes a bit more, but didn’t have to change many shopping habits. It was the shift from size 12 to 14 and C cup to D in my 40s that made the biggest difference. It meant some styles no longer suited me and it’s taken a while (and some awful photos) for me to spot which ones.

    I’ve also realised that a lot of clothing available in size 14 isn’t very well designed for the body shape it is supposed to fit on. Last year I ordered this cute vintage style dress from ModCloth. It looks lovely on the site – the waistband clearly sits at the dress model’s waist and the specifications put the length a little above the knee. The design should have scaled up to a size 14 perfectly well, but whoever did the sizing must have assumed it was for a short size 10 who’d put on weight, and only enlarged it sideways. The waistband is up under my boobs and the hem is too high. Maybe I would have noticed this if I’d tried it on at a shop instead of online, but to tell the truth, I didn’t twig how bad it looked until I saw photos of me at the wedding I wore it to.

    Clearly I need to reeducate myself. So I dragged out my old Trinny & Suzanna books. Using their guidelines, I worked out that I’ve turned into a Vase. Unfortunately, the advice for each body shape runs to only a few pages, so after taking some notes I went looking on the internet for more advice. I found a great little blog called youlookfab.com.

    There are only five body types dealt with, but they recommend you poach some advice from other types as regards specific physical features. I most closely fit the ‘Hot Hourglass’ shape.

    Between the T&S book and this site I spotted some mistakes I’d been making. Like:

    “Empire cuts are hard to wear with a fuller bust because they aren’t cut long enough from shoulder to under bust point.”

    Now I understand why they never live up to their promise. Well, other than the fact that they make me look pregnant.

    “…voluminous silhouettes look wide from the side even when they are cut well.”

    Aha! That’s why the silver bat wing top I bought looks terrible. Drapey material will hang off protruding bits, making those bits more obvious and everything below it appear the same width. Basically, it makes my entire body torso as wide as my boobs.

    Most of the tips simply articulated what I’d already begun to notice. Like how the skirts I own that are shorter than just above the knee are no longer flattering. How do bigger frontal features on a woman make a skirt look different? Balance and proportion, dahling. Lots of fabric up top and less on the bottom makes a gal look top-heavy.

    Which is why high necklines aren’t working for me as well, because a bigger bust means there’s acres of fabric between the chin and waist. Which is another problem with that ModCloth dress.

    After this, I didn’t feel so bad about culling old faves from my wardrobe. They don’t work for me not just because I’ve put on a little weight, but because I have a new, curvier body shape. And perhaps I’ll have a bit more confidence about dressing it now.

    Anybody wanna buy that ModCloth horseshoe dress?

    Keeping My Head Above Water…

    December 5th, 2012

    … is about all I’ve been capable of lately. I’ve done a little refashioning, but forgot to take a before photo. I’ve done some weaving and machine knitting, but haven’t finished anything but a small inkle tube.

    It being December, it’s the time for looking back over the year and considering what I’ve achieved. This is what I listed in my plans for 2012 post:

    Work Stuff:
    Editing & proofing of the previous book – done
    Get most of the next book written – well, half way
    Write short stories – one, I think
    Do another ten character sketches – done
    Be a great guest of honour at the New Zealand convention – well, it felt like it to me!
    Get to more Aussie conventions – done

    Non-work Stuff:
    Kick RSI, or at least don’t let it get so bad I can’t write – the latter
    Try portraiture – a year’s worth of life drawing classes spent doing heads
    Read books in the to-read pile – yep, as well as some new ones
    Weave and use the knitting machine more – yes in that I tried many new methods and learned a lot, but didn’t produce a lot
    Survive the new garage build & old garage conversion – done

    I also:

    * got most of my family history information into a genealogy program, did a little research and made a couple of discoveries
    * saw Roger Waters: The Wall Live
    * bought a Passap Duomatic 80 knitting machine so I could knit socks, and made a few things other than socks
    * made a macrame owl
    * joined Pinterest
    * got menopausal
    * went to the Handknitters Expo, Craft & Quilt Show and Bendigo Sheep & Wool Show
    * made a lot of jewellery and tried Japanese beadwork
    * joined the Handweavers & Spinners Guild and Machine Knitters Association
    * rearranged the workroom again
    * saw Philip Glass and friends play the soundtrack along to the films Koyaanisqatsi and Powaqqatsi
    * met Kevin McCleod
    * met a whole lot of fans, writers, artists and actors at Supanova in Brisbane and Adelaide
    * fixed the dodgy retaining wall and rescued a whole lot of rose bushes
    * made lots of stamps and used them to print wrapping paper
    * participated in Blogtoberfest for the first time
    * culled my wardrobe again and refashioned some more clothing

    All in all it’s been a pretty good year. More relaxed than previous ones, since the only deadlines I had were editing ones. No major overseas trips, though I went to New Zealand twice.

    The year isn’t quite over yet, of course, but at the moment all I hope to do in December is get beyond struggling to tread water and start feeling like I’m heading somewhere. I suspect I won’t get there until Christmas is behind me.

    Ch-ch-ch-changes

    November 4th, 2012

    Recently I had to move my author blog to a new hosting company, because the old one wasn’t going to upgrade their servers so that they could support the most recent, more secure version of WordPress. In my hunt for a new host company, I found one with a domain name hosting plan for $6.95 a month, less than a quarter of the price of the old, and would host additional domain names on the same plan for just an extra $9.95.

    Before I transferred the creativefidget.com domain name I got rid of my old illustration website and painting gallery site. I put a smaller selection of illustrations onto the “The Telltale Art” page and my artwork into the “Painting Gallery” page in the menu above. You can also find links to them in the sidebar.

    I’d also like to try a new theme, but so far everything has worked and I don’t want to push my luck. Last time I tried to change my theme the blog disappeared, and I had to reload it.

    Post-Blogtoberfest

    November 1st, 2012

    It was fun, but now it’s done. I’ve enjoyed my month of daily blogging, and discovered a few new blogs to follow on the Blogtoberfest page. It was lovely to see my crafty blog friends posting more often, too.

    I usually post about two or three times a week, depending on whether I have any craft or art projects to blog about. To increase it to a post a day mostly meant breaking some posts down into two or three. I took more in-progress photos too, which is something I did more often when this was a knitting-only blog. After all, knitting is slow and if I’d only blogged when I finished something I’d blog twice a month. I also wrote a few filler posts when I had the time – like the lizard one – and had them ready for when case I ran out of things to blog about or time to write new posts.

    Looking back on my posts, I certainly lived up to the name of this blog. I wrote about machine and hand knitting, furniture renovating, refashioning, drawing, cookie baking, jewellery making, bead weaving, paper beads, origami, stamp making and wrapping paper printing. I didn’t write about two of my main hobbies, weaving and bookbinding, which seem to have taken a back seat lately, or gardening, or home decorating projects. I suspect I gravitated toward crafts that could produce something interesting quickly and provided lots of good photos, and now I will shift back to more time-consuming ones.

    I also organised more creative time in my schedule, arranging to have a few weekend days free and even getting my butt into the studio for a few evenings. I’d like to continue with both, but realistically I doubt I can. My day job tends to suck up a lot of my creativity and my back and hands need a rest in the evenings.

    In the past I’ve watched month-long blogging commitments come and go, and the one effect they always have is that many bloggers who signed up in the hopes that they’d get into the habit of blogging more end up not blogging at all when the commitment is over. I’ve also found that blogging every day actually seems to reduce the chance of anyone commenting on a post, as most visitors don’t drop by every day and may not have time to catch up on a pile of posts.

    So I’m happy to go back to my two to three times a week habit. However, I’m going to be doing a bit of travelling in November, so there’ll be longer gaps between my posts than usual – and I don’t think I can convince Paul to guest blog in my absence. But I might see if I can set some blogs to auto-post. If I have anything left to write about!

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