Graduation Blanket


I finished this just before NYE, but then decided to redo the sewing together of the squares. Just lifting the blanket made the stitching gape, so I looked up other ways to attach the squares and found one that worked better.


It’s woven from mostly Cleckheaton Country – balls I picked up in op shops and a few extras I bought when I ran out of the two darker browns. Paul has it now, in his office to use as a knee rug on cold winter days.

Craft/Art Aims for 2017

The closest I get to making resolutions is a vague list of new things I’d like to try by the end of the year, and I’m happy if I manage to cross off a few. Since I have a pretty substantial craft To-Do list there’s no point adding a resolution list on top. So what’s on my vague want list?

1) I want to paint more. More people portraits. More cat portraits. I’ll continue going to classes, but I’m also going to try painting every Wednesday nights. I’ve invited friends to come join me in our studio, both for the company and because it’ll make me get away from the tv and do it!

2) Last year I wanted to try some new weave structures, and I achieved that mainly thanks to Ilka White’s weaving sessions class. I’m continuing that aim into this year.

3) I also want to spin, sew, embroider, machine knit, dye, print, make jewellery and try new crafts. Weaving is my main hobby now, but I’ll always dabble in others to keep things fresh and fun.

Whatever I do, the health of my back takes priority. I have to avoid too much sitting down and typing or extending my arms, and the best approach I’ve found is to move from task to task every half an hour or so: sitting for one, standing for the next, then doing something that gets me moving like gardening, walking or swimming.

And, of course, once my summer ‘leave’ is over, writing goes back to having priority over craft and art.

Craft Projects of 2016

I started 2016 with my usual optimism, stating that I’d get more time for craft. But most of my plans were uprooted by a stuffed back, the concreter not finishing the garage base, and the book edit from hell.

In January I did my usual overview of the previous year, and a stash portrait. Paul brought home a little loom and we refurbished it and a friend’s loom. The Glamour Shawl was on Ashford Table loom, convincing me that I don’t like weaving with metallic yarn, and I wanted a loom with a race and lamms.

Weaving: Giotto Scarf. Using some ribbon yarn unravelled from a failed knitting project.


Crochet: I-cord Headband. Using some i-cord that had been hanging around since I first got the cord-maker.


Embellish: Pockets on the Houndstooth Scarf. Wove the scarf ages ago, the pockets while teaching a friend how to do log cabin, and finally got around to sewing them together.


Weaving: Dyer & Philips Loom. New heddles and tape.


In February I bought a pile of fine yarns for weaving. What I wanted to achieve on looms was changing. Not so much choosing projects to reduce stash and more experimentation and learning new structures.

Weaving: Hibiscus Scarf. Test piece on the D&P loom.


Weaving: Rep Runner. A sampler – too loosely sett.


In March I started my first ever weaving class. It was this blog’s tenth bloggiversary, so I wrote about all the ways my crafty life has changed since the beginning. We spent a lovely weekend at Lake Hume with that friend and her partner, she and I weaving together.

Refashion & Embroidery: Cheesecloth Top. This has attracted lots of compliments.


Weaving: Touch of Glam Shawl. Not happy. So many mistakes. Inconsistent beating. Thinking of dyeing it black to hide the errors.


Weaving: Floor Loom. I love it!


In April I finished the weaving class, and ever since have been buoyed by a new confidence while frustrated that I couldn’t get time to keep exploring weaving. A shopping trip where I couldn’t find non-acrylic winter woolies set me on the path of researching fast fashion.

Weaving: Overshot Sampler


In May and June, inspired by ethical fashion, I did some sewing and refashioning.

Embroidery: Finished Unfinished Cardy


Sewing: 50-50 A-line Skirt


Refashioning: Denim Skirt


Sewing: Inkle Band Top


Sewing: Handspun Vest


Weaving: Undulating Scarf


In July, inspired by 1outfit1year, I bought an electronic spinning machine and found I was much more comfortable using it than a foot-powered one. I finished my first woven-by-hand braided rag rug and some Bargello samplers.

Weaving: Braided Spectrum Rag Rug


Embroidery: Bargello Samples


Spinning: Electronic Hanspun


August contained a mix of spinning, weaving and sewing – and a big landscaping project. I gave a Zoom Loom to a friend’s daughter interested in weaving and taught her how to use it.

Spinning: Silk Cap Handspun


Sewing: Handspun Handwoven Jacket


Weaving: Reddy Runner


September was a quiet one, craft-wise, because I was in Norway and Denmark for most of it. (The posts were mostly pre-written and scheduled.) However, I learned nalbinding while I was there.

Weaving: Electric Boogaloo Scarf


Weaving: Fanspun Shawl


Spinning: Blue & Linen Handspun


Embroidery: Blackwork Bookmark


Embroidery: Black Rose Red Cardigan


Nalbinding: Nordic Mitts


Embroidery: Traveller Pendant


In October I reviewed what I was capable of doing in work, art, craft, DIY and gardening, since it was clear my back wasn’t going to go back to pre-2016 health. I sold the D&P loom at the Guild sale (and found out later that they sold it for $10 cheaper than I’d specified – no idea what happened there but it’s not enough to bother quibbling over.)

Spinning: Owl of Athena Handspun


I didn’t finish any craft projects in November and December, thanks to the Edit From Hell. I almost did. The pinwheel tea towel fabric came off the loom. It just need washing, cutting up and hemming. I also finished the Gamp Pin Loom Blanket – even had it washed and dried before NYE – but I’m not happy with the sewing together of the squares and have decided to redo it.

Overall, 2016 was a good year for weaving. Though I didn’t get as much of it done as I’d hoped, I learned a great deal and I like my table loom. I seem to be growing more focussed on it, only dipping into other crafts occasionally – and mostly those that have a relationship to weaving (like sewing fabric I’ve woven).

That’ll continue through into 2017 I hope, but that’s a subject for a different post.

Stash Portrait 2016-2017

Recent thoughts about where I want to go with weaving, and my fibre allergies led to a bit of a stash assessment. So I laid out all the yarn on the office floor and took a picture:


(Wool yarns are marked in red, cotton in yellow, and everything else or yarns I’m not sure of the fibre are in orange.)

A sort was in order. I moved cones to the larger boxes and divided everything into wool and non-wool. All non-wool, non-acrylic yarns had instant keeper status. With those put aside, I considered which wool yarns to keep or cull. Sock yarns are keepers, since my feet don’t get irritated by wool. Recent handspun stays, too. The Bendigo Classic 2 & 3 ply does weave up into a nice blanket and makes good warp yarn, so I’ll retain that.

The rest I sorted by softness. The Tonne of Wool Cormo is the softest, Bendigo Luxury next, Cleckheaton Country and Paton’s Inca next, and the rest became one batch of ‘least soft’ yarn. From that I culled the Bendigo Serenade, Patons Shadow Tweed, Lincraft Cosy Wool, a cone of fine boucle and the metallic yarns I hated weaving with earlier this year.

I also culled my knitwear, removing two vests I don’t wear, a cardigan and a jacket. The jackets were unravelled. The yarn I got from them is wool, but I have plans to turn it into pin loom blankets. Since one is a bulky yarn, I’m currently making a pin loom 150% the size of the one I have, so the nails are spaced wider apart and I get bigger squares.

The stash doesn’t all fit into the boxes, but with the wool yarns hanging about in the way rather than the cone yarns, I’ve got more of an incentive to either use them up or cull them.

Looking for a New Home

Not for me, for my table loom!

I advertised it in the Australian spinners and weavers Facebook group a few weeks back. At once point I had someone interested in the loom and not the base, so when someone else wanted just the base I agreed to sell it separately. The first person then had second thoughts about the loom. Still, that’s better than trying to sell the base with no loom!

If you’re in the market for an 80cm Ashford 4-shaft table loom, let me know. Here it is on the base (no longer included). Excellent condition. One owner. A couple of shuttles, metal rods and the original threading hooks included. All for $750 AUD.


And the piano stool is your’s too – if you pick it up!

Spring Weaving

I’m liking how this sampler is turning out, with the colourful rows followed by reversed, black and grey rows, and that it’s reversible.


I made a small mistake in the first few rows, but it’s a sampler and if I do think of something to make out of it those rows with probably end up in a seam.

The Pinwheel Tea Towels are growing:


I ran out of yarn two squares short for The Gamppa Rug, and one of the colours is discontinued. So I bought what I hoped would be the right colours on eBay. The dark brown is pretty close, but the lighter brown is a bit redder, but from a distance not so easy to pick as a different colour.


I’ve started sewing the squares together.

Spring Spinning

I recently finished spinning up a pack of sample blends from Owl of Athena called the “Humbug Fibre Blend Sampler Pack”. All were lovely to spin. Some were a bit challenging for me, as a new spinner, being quite slippery. I had a few moments when the singles lost cohesion and came apart, both in the spinning and plying. But I learned to compensate by giving them a little extra twist.


Which was a valuable lesson, as I’m now spinning some silk and alpaca together. Both are slippery, and the silk has a short staple (right term?).


It’s quite challenging, and I suspect the fibre I spin after this will be an easy one, so I can relax again.

Textile Bazaar 2016

I just realised I haven’t shown off my purchases from the Textile Bazaar a few weeks back. Well, here they are:


Two temples, one handmade ($5) one manufactured ($25). Both are too big for the pinwheel tea towels, which I need one for, so I was going to cut the handmade one down to fit. But it turns out to be a good size for if I weave the full width of the floor loom, so I decided to keep it as it is and have ordered a smaller temple.


I bought this book for $1. There was a bit of a crush by the book bins, so I didn’t take a close look until later. It is hilarious.


All I can see is a Hypnofrog eye, or if I turn them 90 degrees, the Eye of Sauron.


A friend who likes sharks was rather intrigued by this one.

The technical information is useful, however, and I do like the idea of breaking free of convention. But maybe more along the lines of less rigidly symmetrical stripes and zig-zags or kaleidoscope-like patterns.

I also bought some 8/2 cotton and a skein of thicker orange cotton, but they’ve already disappeared into the stash.

Traveller Pendant

This was the craft project I took along on our trip to Norway and Denmark. It’s a line from a poem by J. R. R. Tolkien. I finished it just before the last weekend.


It’s a bit wonky, but I don’t mind too much. Stitching on trains and planes, with low lighting as well as constant rocking and shaking doesn’t make for neat stitches.

I’d also taken some small pieces of felt and a vague idea about stitching circles onto black cloth. But the tiny pair of scissors in my travel embroidery kit are really only good for snipping thread. Cutting neat circles was not going to happen. That was okay – by then I had nalbinding to do!

Looms In, Looms Out

Last weekend I joined Ilka White and her weaving students over lunch, to catch up on our progress (or lack of it, in my case) since attending her classes. I brought the renovated loom in to get Ilka’s opinion on how to thread the shafts. It was well worth doing, as she suggested a different, better way than what the loom originally had.


Since I was intending to sell the loom in the Textile Bazaar, I left it there. However, during the week one of her students, who she’d put me in touch with a while ago, contacted me to ask if she could buy it.

So that loom didn’t end up in the Bazaar. I still intended to put the Dyer & Philips one in as well as the Ashford Table Loom and its base. However, when I found out that the Guild’s commission was 30%, I realised it wasn’t going to make sense to sell the bigger loom at the Bazaar.

It all comes down to maths. With the Dyer & Philips loom, I got it free and the only parts that cost me money was $40 for the heddles. I hadn’t spend a big chunk of time fixing it up either. Add $20 for commission and I’ve got my money back.

With the Ashford Table Loom, I bought it new and spent money and time making the stand. It now costs $1025 for a new one. For an item that’s in excellent condition, I’d hope to get 2/3 to 3/4 the current price of a new one. If I reduce the loom to 3/4 the price of a new one, then add 30% commission, I’d be asking for more than a new one costs. Even if I reduce it to 2/3 the price of a new one, I’d still be expecting someone to buy a second hand loom at the new price.

The stand makes it more complicated. An Ashford stand for this loom costs $615, but of course mine is handmade and not particularly attractive (though I’d wager it was much sturdier). I would like to get something for it, but with commission forcing the asking price below 2/3 of new as it is, I’d have to give it away for free.

So I wound up taking just the D&P loom in for the Bazaar. Which sold to a weaver I follow on Instagram. Hello Mary!

In the meantime, I’ve been weaving. Thanks to edits being two weeks late to arrive, and Sunday’s lunch, I had lots of time and enthusiasm last week. I decided to get both the Katie and floor looms warped. I’ve put some 8/2 cotton onto the floor loom to weave tea towels in a pinwheel pattern:


And warped up the Katie with a doubleweave sampler:


I’ve made a few more squares on the pin loom:


And I’m eyeing the Knitters Loom, thinking maybe a hand-manipulated lace scarf would be an interesting contrast to the other projects. I’m even thinking of warping up the little inkle loom. Just how many weaving projects can I get in motion at once?

Hmm. Time to get that Ashford Table Loom advertised before it winds up with another ‘test’ project on it.