Archive for the ‘home artycrafty home’ category

Re-dos

December 25th, 2012

Recently I remade a few pieces of jewellery.

I really liked this bracelet, but the crimps holding the beads in place were scratchy and I’d nearly lost it when the clasp failed.

It became this:

The problem with this bracelet was that the weight of the charms pulled them and the chain around to the underside so all you saw was the button clasp:

So I moved the charms to hang from beneath my wrist, and replaced the button with something lighter:

I’ve had this lion pendant for years. This is the third necklace I’ve made for it:

Yep, that’s macrame. I’ve been buying ebooks from Interweave, and this project came from Micro-Macrame Jewellery by Suzen Millodot. I’d bought the jute twine from a local Riot store and thought it would be a bit coarse and itchy, but it’s surprisingly comfortable. I’ve made a bracelet to match, but it’s just the macrame part – no dangly bits.

This necklace isn’t a redo. I tried a little wire wrapping on some fake pearls, then strung them up with a shell I’ve had for years and a sea turtle charm I bought at the Craft & Quilt show.

I’m rather fond of sea turtles. They eat jellyfish. I’m definitely NOT fond of jellyfish. Especially the stingy kind that put you in hospital. (Not recently.)

Keeping My Head Above Water…

December 5th, 2012

… is about all I’ve been capable of lately. I’ve done a little refashioning, but forgot to take a before photo. I’ve done some weaving and machine knitting, but haven’t finished anything but a small inkle tube.

It being December, it’s the time for looking back over the year and considering what I’ve achieved. This is what I listed in my plans for 2012 post:

Work Stuff:
Editing & proofing of the previous book – done
Get most of the next book written – well, half way
Write short stories – one, I think
Do another ten character sketches – done
Be a great guest of honour at the New Zealand convention – well, it felt like it to me!
Get to more Aussie conventions – done

Non-work Stuff:
Kick RSI, or at least don’t let it get so bad I can’t write – the latter
Try portraiture – a year’s worth of life drawing classes spent doing heads
Read books in the to-read pile – yep, as well as some new ones
Weave and use the knitting machine more – yes in that I tried many new methods and learned a lot, but didn’t produce a lot
Survive the new garage build & old garage conversion – done

I also:

* got most of my family history information into a genealogy program, did a little research and made a couple of discoveries
* saw Roger Waters: The Wall Live
* bought a Passap Duomatic 80 knitting machine so I could knit socks, and made a few things other than socks
* made a macrame owl
* joined Pinterest
* got menopausal
* went to the Handknitters Expo, Craft & Quilt Show and Bendigo Sheep & Wool Show
* made a lot of jewellery and tried Japanese beadwork
* joined the Handweavers & Spinners Guild and Machine Knitters Association
* rearranged the workroom again
* saw Philip Glass and friends play the soundtrack along to the films Koyaanisqatsi and Powaqqatsi
* met Kevin McCleod
* met a whole lot of fans, writers, artists and actors at Supanova in Brisbane and Adelaide
* fixed the dodgy retaining wall and rescued a whole lot of rose bushes
* made lots of stamps and used them to print wrapping paper
* participated in Blogtoberfest for the first time
* culled my wardrobe again and refashioned some more clothing

All in all it’s been a pretty good year. More relaxed than previous ones, since the only deadlines I had were editing ones. No major overseas trips, though I went to New Zealand twice.

The year isn’t quite over yet, of course, but at the moment all I hope to do in December is get beyond struggling to tread water and start feeling like I’m heading somewhere. I suspect I won’t get there until Christmas is behind me.

RSI: A Year On

October 27th, 2012

Looking back through my blog recently, I realised a few things. Around year ago, after doing a studio reshuffle, I embarked on a whole lot of challenges and projects designed to use up and organise. I…

- got rid of my LiveJournal
- got my to-read list into a spreadsheet and Goodreads
- got a lot of art framed and sold
- ripped some paintings off stretchers, sewing one into a knitters loom carry bag and re-canvassing the stretchers
- culled my wardrobe and did some clothes refashioning
- and put a few knitted garments aside to adjust
- culled my box of leftover yarn from finished projects
- wove some of it, and some small batches of yarn from the stash, into scarves
- matched up a whole lot of sock yarn leftovers to make scrappy socks

Then I got RSI and everything came to a screaming halt.

I started seeing a hand therapist and rested my hands as much as possible over the summer. Aside from a setback on Boxing Day, when I wrenched my wrist, my hands slowly got better. In January I started writing again. By March I was doing more craft and tackling the knitted garments that needed adjusting. Then, over Easter, the RSI flared up again. I tried ice dipping*, and it proved amazingly effective, but the flare up was confirmation that my hands have limits now, and I will always have to be careful. Some of the changes I made in order to get better would have to stay.

I can knit for no more than 1/2 and hour at a time, and never on the same day as writing or any other high hand use activity. I have two knitting machines and two looms and have recategorised my stash based on which one to use it with. Fortunately weaving is mostly a shoulder movement, and the only part of warping up the looms that bothers me is untying knots so I just allow more warp and cut things off instead.

During the time I used to knit – while watching tv in the evenings – I now watching less crappy tv and more dvds of shows good enough to hold my full attention. Occasionally I do a bit sketching. Or make jewellery. Or go to bed and read instead. (Reading while sitting up hurts my back.)

I missed hand knitting a lot at first. But the other day, as I did a few more rows of the magic ball scarf, I realised I was just not feeling the love. Not enough to make up for the discomfort I get from hand knitting now. So I frogged it and warped up the small loom to weave it instead.

When I first got RSI my biggest worry was that I wouldn’t be able to write, since it’s my source of income. Next it was that I couldn’t make art. Craft was third on my list. Yet it was the everyday things that I had trouble doing that shocked me the most. Things like chopping vegetables or kneading shortbread dough. Like doing up zippers and buttons. Or lifting and tipping the kettle. Opening mail. Writing my signature. You really don’t appreciate how much you need your hands until they hurt or stop working properly. And that puts not being able to knit into perspective.

*ice dipping: fill a sink or bucket with water chilled with ice, dip hand and arm up to the elbow for five seconds every ten minutes over 2 hours. The advice I got was to do it for several days – at least a week – but I only needed to do it for three.

Craft Day

October 21st, 2012

From time to time a bunch of my crafty friends get together for a Craft/Quilt Day. It’s as much about having a girly get-together (away from the kids) as it is about being creative, and there is always a little hilarity among the general nattering. Fellow bloggers included Margaret, Beky and Karen.

On Saturday I played host. There was some sewing of dresses, dog coats and quilts, some stamping papercraft, and some crochet. Though many WIPs called, I used the afternoon for more portraiture practise.

My warm up sketch was not so great, but I was pretty pleased with these three portraits:

(The paper is blue in the second one, not white in bluish light.)

I’d planned to do some really quick sketches while people worked, then get them to pose for me, but I found that it took longer to draw someone when they were doing something because they’d shift position and I’d have to wait until they returned to where they were or work out how to compensate. So the sketches took longer – but why interrupt anyone when the drawings were coming out better than I expected anyway?

The classes proved most valuable in that I could fall back on methods and mediums that I was familiar with and concentrate on the new challenge of sketching friends. What I found most reassuring was that my friends didn’t seem to mind being drawn. I was able to spare enough attention to chat a little at the same time – which will be good if it’s just me and the subject in the future.

I’m hoping to start arranging with friends to do sittings next year, and start working in oils. I haven’t yet worked out whether I’ll keep going to life drawing classes as well, either for portraiture practise or to return to drawing figures. I’ll see what my teacher recommends.

Workbench Garden Seat

October 7th, 2012

Little coincidences helped along our workbench to garden seat plan. At Bunnings I found two ‘tomato tub’ planters that fit exactly into the top of the side sections. We also had a piece of leftover retaining wall timber almost exactly the length we’d need for the seat. And my aloe vera plants needed repotting.

Paul only had to cut out the middle section of the top front strip of metal. After he removed the old top I gave the frame three coats of a sealer for rust-effect paints, so it wouldn’t get so rusty that it fell apart.

While it was drying Paul cut the piece of leftover retaining wall into two pieces to fit the ‘seat’ section of the middle. Then he turned the top into the back of the seat by drilling holes in it and slotting it into some bolts. I left the wood unfinished, and hope the seat will go as grey as the old top.

Finally, I replanted my aloe veras into the pots and added some creeper succulents that will, hopefully, grow over the edge of the pots and cascade down the front.

So here it is:

I’m rather chuffed with the result. We’ve managed to preserve the rustic nature of the bench while giving it a new life as a seat. And made minimal changes in the process. I wonder if my Pa would have liked it, or thought it a bit strange!

Pa’s Workbench

October 6th, 2012

My mother’s father was the first of my grandparents to pass away. He died back in the 80s after many years of alzheimer’s, which started at an early age. I remember him as a quiet and simple man, who was always tinkering in the garage.

I inherited a sturdy clothes horse that he made that I’ve had in constant use since then (and who knows how long it was being used before then), his home-made incredibly heavy wooden tool box, some of his tools, and his workbench – from which the vice had already been taken.

The workbench is like I remember Pa: well-worn, simply made and big.

We’d kept it in the old garage as storage, but it doesn’t really fit in the new one. Paul was considering keeping it in the studio as a bit of rustic furniture – more a curiosity piece than practical storage – but then I had a brainwave. I’ve been wanting garden benches for years and my design involved Paul welding together metal bases and using the leftover decking wood scraps for the tops. But Paul hadn’t got around to making them, what with other home projects becoming higher priority.

The workbench has a metal base and a wood top. Why not convert it? So I put my idea to Paul, we worked out how we were going to do it, and went shopping…

It Must Be Spring

August 31st, 2012

Over the last five or six weekends we’ve had the landscaper in to replace the retaining wall – the one our neighbours arranged to have fixed when the new fence went in, but the fencers did a shoddy job of it, reusing the old rotting boards at the bottom where we couldn’t see them. Turns out our neighbours were disappointed with the job, but never did anything about it. And they never told us they weren’t happy. At least, not until I had to go over there to get permission for the landscaper to work on their side if he needed to.

Because the landscaper had to do nearly all of the work from the high side and there’s a fence in the way, he couldn’t use a mechanical post hole digger. It’s taken three or four times longer than it ought to (and there’s been no offer from the neighbours on contributing to the cost). But after seven years of waiting for this to be fixed, I was finally able to plant out the bed without worrying about it washing away.

I filled it with several kinds of lavender and lots of 30 year old rose bushes re-homed from the garden of our friends’ parents, who will be building a house on their old rose garden.

I also got the landscaper to remove the ginger plants down the back, because it grows faster than we can keep up to now that I have RSI. I like it, but it constantly crowds the young maple tree, and I’d rather keep that than the ginger. We replaced it with more roses:

Before this, I had got to the point of thinking that an inner city apartment with a small courtyard garden might be in my future. I used to like the idea when I was in my early 20s, but once I had a house of my own I couldn’t imagine not having a back yard. But then my back problems started, and now that my hands have gone all finicky about what I do with them the idea of an apartment appeals again, so long as I have room for a small herb garden, a lemon or lime tree and a collection of pot plants.

But in the last week, with Paul’s help, I got some work done. We’ve weeded the front garden and the cat run bed, put the old compost out on the back garden bed and started a new batch, sprayed the driveway and given everything a good dose of seaweed fertiliser.

Of course, tidying up meant I noticed pot plants that needed repotting and herbs that needed replacing. I dusted off a three tier pot stand for the herbs, and got all inspired by the the idea of turning my Pa’s rusty old workbench into a garden seat. Next thing I was at Bunnings reflecting that what I’d read once – that gardening is the hobby Australians spend the most money on – must be true.

Of course, the pots weren’t cheap. Especially the big one I needed to save the badly pot-bound umbrella tree I’d adopted from an old neighbour of my previous house:

I should have repotted it a few years ago, but I am keeping it semi-bonsai-ed deliberately to control it’s growth. The three long pots have cherry tomatoes, basil, chives, garlic chives, curly parsley and flat leaf parsley, and the bottom one has runners from my peppermint herb. I got Paul to fill up the hollow under the rims with silicone to prevent snails napping under there.

There’s still more work to do, and I’m hoping we’ll get it done tomorrow. The landscaper has some drainage to install and more weeding and mulching to do. I’m hoping to persuade Paul to tackle the workbench garden seat conversion – into which will go two big square pots that I’ll plant out with aloe vera and some hanging succulents. I have some tough Aussie native grasses needing to be separated into smaller plants to plant where we reverse and turn our cars. And Paul really needs to get around to feeding and mowing the lawn.

I don’t know whether it was needing to tidy a few things up so the landscaper could spread the mulch, or the scent of early flowering plants, or the sun coming up a bit earlier, or the effect of more than half a day of sunlight, but I’m suddenly more interested in gardening than I have been in two years. I hope my enthusiasm doesn’t disappear as fast as it materialised!

Renovations & Repairs

August 28th, 2012

The Garage Conversion is coming along. Here’s the new garage:

And from the side:

Paul had been slowly clearing out the old one and filling up the new, but when the new school term started, and he knew he was going to need the studio set up for a photography assignment, he found the impetus to finally empty it.

We then spent a morning dusting off cobwebs, filling holes, sweeping out dust (twice), vacuuming, and mopping (twice). The walls and ceiling had a few marks but not so bad that we needed to paint it, but there were some holes in the plaster and a mouldy patch under the back door, and the new door still hadn’t been painted. We didn’t want long delays, though. So I figured we’d only get it painted it if I could get someone to do it within the week. I looked up painters and decorators in the local area and started ringing, and to our surprise it worked. The studio was painted a week later – and I’m definitely keeping this guy’s number for future work.

We bought some new and second hand furniture, and Paul is moving all his stuff in. I have to admit to some studio envy. His is more than double the size of mine, and we’re going to put taps and a sink in. But I don’t envy him the cold concrete floor. He decided he wanted to leave it as it is. Maybe we’ll get a square of carpet or a big old rug. And some chairs. And a heater.

The Big Jewellery Tidy Up, Ep. 1

July 28th, 2012

I can’t remember exactly what got me started. I think it was looking at rings on Pinterest. It got me digging up old rings to see if they still fit, and I discovered that some of my silver jewellery had tarnished, so I went looking for information on storing it, and next thing I was going through everything. Soon I had a bit of a triage system going: jewellery to cull, jewellery to fix or scavenge for parts, jewellery to sort and store properly.

Information on storing silver was contradictory – some say to keep it exposed to air to keep it dry, some day keep it sealed away in zip lock bags. Since the items of mine that had tarnished had been exposed to a point – loose in drawers – I went with the zip lock bags. But the silver in the original velvet boxes was fine, so I figured that must be enough to protect them. I even went hunting for more velvet boxes in op shops. One of the local ones said they had a big bag of empty ones out the back and they’d call me when they found it, but unfortunately they never did.

Most of my jewellery is either bought or hand made ‘costume’ jewellery. I have very little that’s worth more, and then nothing worth a lot. I suspect I’ve inherited my mother’s wariness of owning something valuable that could be so easily stolen or make someone want to mug you. Ironically, I have pieces that it would hurt far more to lose because they’re sentimental, not valuable.

I’ve been keeping most of the jewellery I wear regularly in my little ‘dressing table nook’ on some wire mesh I spray painted white a few years ago, using s hooks I made out of white coated paper clips. But space was running out and it had spread to the mirror.

I had a little cabinet on the other side of the nook that was half full of bits and pieces, so I got rid of that. Then I bought two cheap pinboards and covered the ugly brown corkboard centre with calico. A pack of clear plastic pins and some picture hooks later, I had two jewellery hangers. And some removable hooks for bracelets and heavier necklaces.

Now I can take down a necklace without having to untangle it from the rest. There are a lot more necklaces than anything else. Rings are like handbags for me. When I like one I stick with it until something breaks. Earrings are only for special occasions and only when I have my hair back. Brooches? Occasionally. Bracelets… well, thanks to Pinterest again I’m discovering a bit of a love for bracelets – as opposed to bangles. Winter isn’t a great time for them, as they get lost under sleeves. But most of my recent purchases and creations have been bracelets. And it won’t be winter forever. I might just have to make some more of those.

Studio Shuffle

July 7th, 2012

A year ago I decided to rearrange the furniture in my studio. But there was a lot to move and sort so I decided to do it in two stages. Well, I never got around to stage two. Since then I’ve acquired a knitting machine, so things were getting a bit cluttered down the craft end of the room. Here’s how thing were arranged:

You can’t see the row of Ivar shelving that was behind me when I took that photo, but you can on the floor plan below (it’s along the left wall). Aside from wanting to reorganise the craft end of the room, I’d been eyeing the contents of the Ivar shelving that I’d intended to move during the last reshuffle. It seemed to me that there was a lot of stuff I didn’t need on it. I could probably reduce it from three units to two.

So I measured up the room and all the furniture, opened Illustrator and created a floor plan. The last thing I wanted to do was move everything only to find it didn’t fit. Here’s the before:

I woke up in the middle of one of the following nights with the revelation that the knitting machine would fit in behind the drawing board, and I knew I’d found the perfect arrangement. (Yes, I not only created scale drawings but dreamed about moving furniture. It’s not so weird when you remember that it’s the space I spend half of my life in.) Reducing the Ivar just meant removing the shelves that bridged the two units, and I wound up turning using them to turn the vertical card/paper storage into horizontal storage.

Once I’d worked out the easiest order to move everything in, I got stuck in. It took a couple of days, and now looks like this:

The previous arrangement had everything positioned against walls, which meant the studio felt very open. This arrangement ‘fills’ the room, but it also divides it into two: work to one side and craft/art to the other. So I’m not distracted from work by tempting crafty things, and I don’t feel like I’m entering a work space on weekends when I want to be creative.

It also meant the day bed wound up closer to a window, warmed by the sun and with a view over the back yard. Something that was quickly noted by another member of the household:

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